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Built in the Open

Release Notes

What we've shipped, what's changed, and what's coming next. Updated with every release.

Open Alpha — updates ship most weeks, free to use

Last updated: 13 August 2026

Release Notes

What's changed, what's new, and what's next.

GigXchange is the UK's peer-to-peer live music booking platform connecting artists, venues, agents, and promoters. This page documents every product update shipped across two products: GX Mainstage, the SvelteKit-powered app where members manage bookings, messages, events, and payments, and the GigXchange website, the SvelteKit public site with profiles, the Gig Directory, Open Mic Finder, GX Index rate benchmarks, and 86+ blog posts covering the UK live music industry. Each release includes what changed, why, and what's next.

Mainstage
Website

GIGXCHANGE Mainstage (v0.3.7) In development · expected late August 2026

v0.3.7 is in development, expected late August 2026, and the first wave has already landed. You can now pay for the whole booking through GigXchange, not just the deposit, every booking comes with a written contract you read, sign and download in one place, and bands can invite their members to help run the profile. That last one came straight from the community feedback board. And your calendar now looks after itself: connect Google or Outlook once and your availability stays in step with the rest of your life.

Shipped so far

Publish any of your events straight to your own Eventbrite account in one tap, with the venue, address, description and line-up already filled in • Pay the whole booking through GigXchange: the deposit secures the date, the balance is paid before the gig, and both are held safely until the night is done • Every booking comes with a written Live Music Booking Agreement you read and sign in one place, then download as a polished PDF once everyone has signed • Bands can invite their members to help run the profile, with roles, an activity log and the option to hand the reins over • Invoices got a redesigned editor and download as the same polished PDFs as contracts, and agent-billed bookings are handled properly • Open mic nights now have their own gig pages, show as events, and suggest other open mics near you • Gig pages have been reorganised so the details, the map and the actions you need are all on the page • Classifieds (formerly Line-Up) is a board where musicians find each other: post that you need a player or that you’re available, get alerted when a match appears, and share your ad’s own public page anywhere • Artists can now contact venues in the directory that haven’t joined yet: write a short note and it lands in the venue’s inbox with your profile attached • A help centre with twenty-nine plain-English answers, built into the app and downloadable as one guide • You can now choose which pages appear in your menus, so what you never use gets out of the way • Connect your Google or Outlook calendar once and your availability keeps itself in step with the rest of your diary, with a calendar feed link for every other calendar app

In development • more notes land here as features ship

Send your events to Eventbrite in one tap

If you sell tickets on Eventbrite, GigXchange now talks to it directly. Connect your Eventbrite account once, in Settings under Integrations, and every event you publish here gains a one-tap Push to Eventbrite. It arrives as a draft with the details already filled in: the date and time, the description, the capacity, the venue with its full address on the map, and the act’s name where the event came from a booking. If your venue profile lists a nearest station, parking or step-free access, those land as a Good to know section for your ticket buyers. You stay in charge of the money and the launch: tickets sell in your own Eventbrite account, you set the prices, and nothing goes on sale until you publish it. Before pushing, we quietly check the event over and tell you if anything is missing, so the listing lands complete.

Your calendar looks after itself

Connect your Google or Outlook calendar once, in Settings under Integrations, and your GigXchange availability keeps itself in step with the rest of your diary: dates you’re busy elsewhere show as unavailable here, so nobody offers you a gig you can’t play, and a change in your calendar comes through in moments, not the next day. Prefer Apple Calendar or anything else? Every account has a personal calendar feed link that any calendar app can subscribe to, so your confirmed gigs travel with you wherever you plan your life.

Pay the whole booking through GigXchange

Last release introduced paying a deposit through GigXchange; now the rest of the fee goes through it too. The deposit secures the date when you book, the balance is paid in the run-up to the gig, and both are held safely until the night is done, then released to the act as one payment. The booking fee is a flat 5% of the agreed fee, shown plainly before you confirm, and what happens if plans change is written out on our terms page.

A written contract on every booking

Every GigXchange booking now comes with its own Live Music Booking Agreement, built from the actual details of your deal: who, where, when, and for how much. When it’s time to commit you read the full agreement and sign it in the same place, so nobody signs something they haven’t seen. Each signature shows the signer’s name in a handwritten style with the exact moment they signed, and once everyone has signed, either side can download the finished agreement as a polished PDF for their records.

Run your band as a team

Asked for on our community feedback board, and now live. Bands can invite their members to help run the profile: each person gets their own login, with a role label (Manager, Booker, Member) so everyone knows who’s who. The band leader can see an activity log of what teammates have changed, remove members when the lineup changes, and even hand the leader role over to someone else. Team logins are private, they never appear as public profiles, and the band’s own account can never be locked out of its page.

Invoices, grown up

The invoice screen has been redesigned around what matters: the amount due front and centre, the status at a glance, and how to pay laid out clearly. Invoices now download as the same polished PDFs as contracts, so everything you send a client looks like it came from the same professional outfit. And when an agent handles the money on a booking, invoicing now follows the deal properly instead of assuming the artist bills direct.

Open mic nights, front and centre

A venue’s open mic nights now get their own gig pages and show up in events, so players can find a stage the same way they find paid work. Each open mic page suggests other open mics near you, sorted by real distance, and a venue’s page shows its next open nights so you can plan a week of stage time at a glance.

Gig pages, reorganised

Gig pages have been rebuilt so everything you need is on the page: the key details and who posted the gig sit side by side up top, the actions you can take live in one clear row, and Getting There now includes an embedded map next to the description. The venue card shows its rating, links to its public pages, and what else is on there soon.

Classifieds: find the players, fill the gap

A board built for musicians looking for each other rather than for gigs, now called Classifieds (it launched as Line-Up). Post “I need someone” when you’re a player short, or “I want to play” when you’re available, and say the things that actually decide it: the instrument, whether it’s a permanent seat or one night’s cover, covers or originals, how often you rehearse, and what it pays. Ads have grown up since launch: alongside your pitch, an ad now carries your experience, influences, gear, rehearsal habits and location, each laid out as its own card, and every ad has its own public page you can share anywhere — even with people who aren’t on GigXchange yet. Every ad is backed by a real member profile, so you can hear their music and read their reviews before you get in touch. Search by instrument or by distance, see everyone on a map, or set a match alert and get told the moment a matching ad appears. Replies happen in your normal messages, and you can edit your ad straight from its page. Turn it on in Settings under Add-ons.

Contact venues that aren’t here yet

The venue directory lists thousands of UK venues that haven’t joined GigXchange yet, and artists can now reach them without leaving the app. Press Contact on a venue’s card, write a short note about why you’d like to play there, and we deliver it to the venue by email with your name, your photo and a link straight to your public profile, so they can hear your music before they even reply. If that venue later joins GigXchange, you’re told, so you can be first through the door. A sensible daily limit keeps every note personal.

A help centre that actually answers

Twenty-nine plain-English answers to the questions people genuinely ask, now built into the app and readable without leaving what you were doing. You can also download the whole thing as a single, properly laid-out guide to keep, print or send to a bandmate. The same answers power the help pages on the website, so you get the same answer wherever you look for it.

Choose which pages you see

Different members use very different corners of GigXchange, so the menus no longer have to be the same for everyone. A new Add-ons screen in Settings lets you switch individual pages on and off, so what you never use gets out of your way and what you rely on stays put. The essentials stay where they are and can’t be switched off by accident, and anything you turn off is one tap from coming back.

GIGXCHANGE Website (v0.3.7) In development · expected late August 2026

Website v0.3.7 is in development, expected late August 2026, and the first wave is live. There is a proper help centre now, with plain-English answers and real screenshots of the app, plus the July edition of our UK live music rate report and its open dataset, and a press room where our facts and figures are free for anyone to quote. And for anyone weighing us up, there is now an investors page that sets out in plain English what GigXchange is and where it is heading. The musicians’ Classifieds board has come out into the open too: browse who’s looking and who’s available, no account needed. Since then What’s On has gone national, State of the Circuit 2026 is out, and the numbers pages have grown into a full stats desk, pints included. The venue and open mic directories have had a glow-up of their own: a city league of the busiest rooms, and every open mic night laid out on its own timeline.

Shipped so far

A full help centre at /help: twenty-nine plain-English answers, each one opening a real full-screen shot of the app so you can see exactly what we mean • The whole guide is downloadable as one properly laid-out document, and readable on the page without downloading anything • The July 2026 edition of the GX Index is out, with what artists are actually being paid across UK cities • The July dataset behind it is published openly, free for anyone to download, cite and build on • A new press room at /press, with our facts, figures and quotes free for anyone to use with a link • An investors page at /investors: what GigXchange is in plain English, the live numbers behind it, and a library of straight answers to the questions investors actually ask • The musicians’ Classifieds board is now public: every ad has its own shareable page, with a UK map of who’s needed and who’s available, no account required to browse • What’s On now covers the whole UK: the week’s gigs and open mic nights in one fan-friendly view, with a page for every city in the directory • State of the Circuit 2026 is out: our yearly report on the UK grassroots circuit, free to read, download and quote • A stats desk grew out of the numbers pages: the Pint Index, what a gig pays hour by hour, open mic and gig calendar statistics, and a live leaderboard of the UK’s hardest working rooms • A page for organisers, answering the questions private bookers actually ask, licence included • City guides for hiring live entertainment and corporate entertainment across 23 UK cities • Venue and open mic pages grew up: city leagues of the busiest rooms, votes and view counts on the page, proper maps, and an animated timeline of every open mic night

In development • more notes land here as features ship

A help centre worth reading

Our help pages now answer twenty-nine of the questions people genuinely ask, in plain English and without jargon. Every answer is paired with a real, full-screen picture of the app, so instead of describing where a button is we simply show you. You can read the whole guide on the page, or download it as one properly laid-out document to keep or print. It is the same set of answers you get inside the app, so you never get two different stories.

GX Index: July 2026

The July edition of our UK live music rate report is out, covering what artists are actually being paid city by city, so you can price a gig from real numbers instead of guesswork. The full report is on the rates page, and the figures behind it are published openly and free for anyone to download, cite or build on. Journalists, researchers and musicians can all check our working, which is rather the point.

A press room

There is now a press room holding everything anyone needs to write about UK live music: what we are in a paragraph, the numbers behind the platform and the directories, a set of story angles with real data behind them, and quotes they can use as they stand. All of it is free to use with a link back to us, and no permission is needed. The figures on it stay current by themselves, so anything quoted from that page is true on the day it is read. If your local paper ever asks who we are, send them there.

A page for investors

GigXchange now has an investors page: what the platform is in plain English, the live numbers behind it, and a library of thirty-seven straight answers to the questions investors and analysts actually ask, from how the platform works to where the market is heading. Every answer is backed by real figures that keep themselves current, the whole library is searchable, and none of it needs a login. If you’ve ever wondered where GigXchange is going, it’s written down there.

Musicians’ Classifieds, out in the open

The Classifieds board from the app is now public at /profiles/classifieds, so you can browse who needs a player and who’s available to play without signing in. Every ad has its own page, laid out like a public profile, with the poster’s music, photos and links wherever they’ve chosen to share them, so you can hear someone before you reach out. A UK map shows the ads near you, coloured by whether someone is needed or available, and when you’re ready to reply, a free account takes a minute. If you know a band a player short, or a player after a band, send them the ad.

What’s On, nationwide

The What’s On page that piloted in London now covers the whole UK: the week’s gigs and open mic nights in one fan-friendly view, searchable and filterable by day, area and genre. Every city in the gig directory now has a What’s On page of its own, and venue and city pages across the site link straight into it. Going out this week? Start there.

State of the Circuit 2026

Our yearly report on the UK grassroots circuit is out: what’s really happening in the country’s small venues and open mic nights, built from our own count of the circuit rather than anyone else’s estimates. Read it on the report page, flip through it like a magazine, or download it to keep, and browse the rest of the reports library while you’re there. Like everything we publish, it’s free to quote and build on with a link.

A stats desk, pints included

The numbers pages have grown into a proper stats desk. UK live music statistics now leads a cluster built entirely from our published data: the Pint Index (gig pay, measured in pints of lager), what a gig actually pays once you count the hours, open mic statistics, and gig calendar statistics, home of The Hardest Working Rooms: a rolling thirty-day leaderboard of the UK’s busiest grassroots venues. A live ticker runs across the cluster, and every figure traces back to data you can download and check.

A page for organisers (and one for fans)

Booking a band for a wedding, a birthday or the village hall doesn’t make you a promoter, so a page for organisers now speaks plain English to people arranging their own event: what it costs, how booking works, and the licence question answered properly. The role row on the homepage runs to six, with organisers and fans taking their place alongside artists, venues, agents and promoters, and the fans badge leads straight to What’s On.

City guides for hiring entertainment

Two new families of city guides cover the way people actually search: live entertainment for parties and events, and corporate entertainment, each written city by city across twenty-three UK cities with local knowledge, real artists to browse, and fee guidance from the GX Index. And if it’s a band you’re after, a new find-a-band guide is rolling out city by city, Birmingham first.

Venue and open mic pages, worth lingering on

Every page in the venue directory now earns its keep: a proper map of exactly where the room is, the venue’s own website a tap away, a count of how many people have viewed the page, and the votes members have cast for that venue shown right on it. A new Venue City League sits on every city’s venue pages, ranking its busiest rooms and showing who’s climbed, slipped or just arrived each week. Open mic pages get the same polish, plus Night at a Glance: the night’s key times laid out on one animated timeline, from sign-up to kick-off, so you know exactly when to turn up.

Frequently Asked Questions

How GigXchange releases work — update cadence, what ships on the website vs the app, and how to request a feature or report a bug.

GigXchange Mainstage is the members-only app where UK artists, venues, booking agents, promoters and event organisers manage their live music bookings, availability, messages, events, and payments. Built in SvelteKit, it features instant page navigation via View Transitions, a unified design system across dark and light mode, and mobile-first UX with full-screen messaging, 44px touch targets, and iOS zoom prevention. Artists manage profiles, tracks, and setlists; venues handle bookings and availability; agents manage multi-artist rosters with per-artist commission; and promoters build lineups and manage multi-act events. All payments are processed through Stripe with a secure hold until gig completion. Mainstage is a free download on the Apple App Store (iPhone and iPad) and Google Play (Android), and it also installs from any browser as a web app.
The GigXchange website is the public-facing side of the platform: everything visitors see before signing up. Built in SvelteKit and deployed on Cloudflare Workers, the site includes member profiles with media, genres, and fee ranges; the Gig Directory with 8,891 UK live music listings; the Open Mic Finder covering 1,249 verified venues; the GX Index rate benchmarks across 90 cities; free booking tools including the Rate Calculator, Setlist Builder, and Booking Contract Generator; Member Spotlight editorial profiles with press-kit PDFs; and 86+ blog posts covering UK gig rates, venue booking, and the independent music scene.
GigXchange ships updates continuously. This release notes page is updated with every significant release across both products: the Mainstage app and the public website. Minor bug fixes and performance improvements ship between major releases. You can follow development progress on our blog, where we publish monthly platform updates covering new features, performance data, and roadmap items. New to GigXchange? Start with how it works.
GigXchange Mainstage is built in SvelteKit with Supabase for auth, PostgreSQL database, edge functions, and storage, and Stripe for PCI-compliant payments. The public website is also built in SvelteKit, deployed on Cloudflare Workers with full CDN edge caching. Email is handled by Resend. Both products share a unified design system (frosted glass cards with gradient borders, breathing glow animations, and the ice/sky/violet brand palette), documented in our glossary.
Yes. GigXchange is in open alpha and completely free to join, list, browse, and use all tools. There are no monthly subscriptions, no listing fees, and no hidden charges. The only charge is a flat 5% booking fee on the agreed fee, and only when a booking is paid through the platform; it is shown plainly before you confirm. You never pay just to create a profile, browse the Gig Directory, or use free tools like the Rate Calculator, Setlist Builder, or Booking Contract Generator. Benchmark your fees against the UK market with the GX Index before your first booking.
The GX Index is GigXchange's UK live music rate benchmark: a transparent, city-level pricing tool built from real UK fee data across 90 cities. Artists use it to price gigs confidently based on real market data, not guesswork. Venues, agents, and promoters compare realistic fee ranges before negotiating. All figures are disaggregated into net and gross amounts with agency commission separated, so you see exactly what the performer takes home. Unlike industry rate cards, the GX Index covers solo artists, duos, bands, DJs, and function acts across every major UK city from London to Edinburgh.
The Gig Directory lists 8,891 UK live music events, organised by city, date, genre, and venue. A grassroots filter shows only small-venue and independent events: pubs, clubs, and community spaces rather than arenas. Artists can also list their own gigs for free via the “List your gig” form on any directory page. Browse by city: London, Manchester, Birmingham, Bristol, Leeds, Edinburgh, and 50+ more.
Yes. An interactive UK map runs across the Gig Directory, venue and open mic pages, and the member directory. Zoom into any city to see the grass-roots gigs, venues and open mics around you, tap an area for a quick breakdown of what is on, then jump straight to the local list. On member profiles the map shows the artists, venues, agents and promoters in each UK city.
The Open Mic Finder is the UK's largest free open mic directory with 1,249 verified venues across every major city. Each listing includes the venue name, address, genre focus, and typical night of the week. City hub pages group listings by area with radar scores ranking each city's open mic scene, covering categories like venue density, genre variety, and week-night spread. The directory is designed for emerging artists looking for grassroots stage time, and venues looking to promote their open mic nights to a targeted audience of performers. All data is verified against venue websites and social media, with no scraped or outdated listings.
The original GigXchange app was a single-page vanilla HTML/JS application that was functional but slow. Dashboard first paint took 3–5 seconds, navigating between sections froze the UI for 1–3 seconds, and there was no component reuse across 47 routes. Mainstage is a ground-up rebuild in SvelteKit that cuts first paint to under 200ms, page switches to under 100ms, and standardises every modal, card, and form input into a shared design system. It also adds features the old app couldn't support: full light mode, View Transitions, hover prefetch, contextual coachmarks, and a mobile-first messaging experience.
The previous website was 480 hand-written HTML files, each page maintained individually with duplicated topbar, footer, and styling code. A single CSS change meant updating hundreds of files. The rebuild replaced everything with a SvelteKit application on Cloudflare Workers, using shared components (Topbar, Footer, Section, FrostedCard, FaqSection) so changes propagate instantly. It also enabled View Transitions for SPA-like navigation, structured data on every page for Google rich results, and proper SEO fundamentals: canonical URLs, OG images, and a 12,000+ URL sitemap.
GigXchange Backstage is the next-generation version of the app, currently in development. While Mainstage handles the core booking workflow (profiles, bookings, messages, events, and payments), Backstage will introduce advanced features for power users. Details will be published here when the first Backstage release ships.
All payments on GigXchange are processed through Stripe, which is PCI DSS Level 1 certified. When you pay for a booking, the deposit is paid when you book and the balance in the run-up to the gig; both are held securely by the platform rather than passing straight to the performer, and released as one payment five days after the gig date. If a booking is cancelled, what happens to the deposit depends on the notice given: cancel well ahead and it is refunded in full, cancel closer to the date and it is split between both sides, and very late cancellations leave it with the act for the date they turned away. There is also a short grace window if you change your mind straight after paying. GigXchange never sees or stores card data, and all sensitive payment information is handled entirely by Stripe. The full detail is in our terms of service and Help Centre.
GigXchange is UK GDPR compliant and registered with the Information Commissioner's Office (ref ZC132441). All traffic runs over 256-bit TLS via Cloudflare. Card details are handled entirely by Stripe (PCI DSS Level 1). Users can control notification preferences and delete their account with a 28-day grace period. Full details in our privacy policy and terms of service.
GigXchange was founded by Naumaan Zahid, a UK guitarist since 2009 who built the platform because the live music booking process was scattered across Instagram DMs, WhatsApp groups, and bank transfers with nothing but a handshake. The company behind GigXchange is Eclipse Labs AI Ltd, registered in the UK. Read the full story in the founder's blog post or on the about page.

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Naumaan
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Everything we’ve shipped, in the open — I update this as we build so you can see exactly what’s changing and why.

Did you know? The UK is one of the world’s largest music markets, behind only the US and Japan.
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