Skip to content

What Has Been Built So FarThe live product surface, verifiable today

Executive summary

GigXchange is a shipped, production marketplace, not a deck: booking workflow with digital contracts and protected payment, messaging, verified reviews, native iOS and Android apps, the monthly GX Index, three national directories and a free-tools suite — all live and verifiable today.

Try it without an account: the venue directory, GX Index and free tools are public.

The marketplace core

  • Profiles and discovery — public, searchable profiles for artists and venues with genre, location, media, availability and review history; press-kit (EPK) pages for artists; Smart Match recommendations and side-by-side profile comparison.
  • Gig board — venues, promoters and organisers post dates; artists browse and apply.
  • Booking workflow — a full state machine from enquiry to completion, handling offers, counter-offers, declines and cancellations, with an emergency-cover flow that re-lists a slot if an act cancels (Gig Rescue).
  • Digital contracts — generated on every booking, signed by both parties.
  • Protected payment — funds held via Stripe and released after the gig, following a short dispute window; invoicing built in.
  • Messaging and reviews — real-time chat per conversation, and two-way reviews that only verified, completed bookings can create.

The end-to-end flow is described in the marketplace overview and publicly on how it works.

The data products

  • GX Index — the only published dataset of observed market rates for UK grassroots gigs, built from thousands of weighted fee data points and refreshed monthly, with a public methodology and open reports.
  • Venue directory — thousands of UK venues that book live music, each with its own public page, verified on a rolling cycle.
  • Open mic directory — over a thousand verified open mic nights nationwide.
  • Gig directory — a continuously refreshed national listing of upcoming live music.

Why these compound into a moat: Defensibility.

Distribution surfaces

  • Native appsiOS and Android, updated continuously.
  • Free tools — invoice generator, gig rate calculator, stage plot maker, setlist builder, booking contract generator, compliance checkers and more; free, no signup, each an acquisition surface.
  • Content and SEO corpus — a deep library of published articles on the blog, city and genre hub pages, and open datasets — built for both search engines and AI research agents.

Engineering posture

The stack is deliberately boring and lean — SvelteKit, PostgreSQL (Supabase), Cloudflare Workers, Stripe — with an explicit engineering policy that robustness and simplicity outrank breadth. Development is AI-assisted and founder-driven, which is a large part of why this surface area was shipped capital-efficiently; the wider argument is made in Why now.

Frequently Asked Questions

A live marketplace (profiles, search, gig board), a structured booking workflow with digital contracts and Stripe-protected payment, real-time messaging, verified two-way reviews, native iOS and Android apps, the GX Index gig-pay dataset, national venue / open mic / gig directories, and a suite of free tools for artists and venues.
A production system, live at gigxchange.app and on both app stores, with real members and the full booking, contract and protected-payment rails built and operating. Shipped changes are recorded publicly on the release notes page.
A deliberately lean architecture (SvelteKit, Supabase/PostgreSQL, Cloudflare, Stripe) and an AI-assisted development workflow driven by the founder. The build philosophy — robust and lean over broad and fragile — is applied as an explicit engineering policy.
Yes — free native apps on the Apple App Store and the Google Play Store, plus an installable web app. One account syncs profile, bookings, messages, contracts and payments across web, iOS and Android.
A suite of free, no-signup tools that double as acquisition surfaces: gig rate calculator, invoice generator, booking contract generator, stage plot maker, setlist builder, gig flyer maker, tour poster maker, EPK builder, licensing checker, venue compliance checklist and a Martyn’s Law readiness checker, among others.
The GX Index (monthly UK gig-pay dataset with public methodology), a national venue directory, an open mic directory and a gig directory. Several are also released as open datasets under CC BY 4.0, including on HuggingFace with permanent identifiers.
Yes. Smart Match recommends best-fit artists to venues and promoters — and best-fit venues to artists — and sits alongside Explore search, the live music map and side-by-side profile comparison as the discovery layer.

Related Investor Articles

Investor Contact

No investor-relations team and no ticket queue — enquiries land with the founder directly.

Naumaan Zahid, founder of GigXchange

Naumaan Zahid Founder, GigXchange

A UK guitarist on the circuit since 2009 who built GigXchange because grassroots booking still ran on DMs and handshake deals. He runs the platform, answers enquiries himself, and still gigs.

  • Questions are answered directly: anything published in this hub — the methodology behind the GX Index, how the directories are built and verified, how the booking and payment rails work.
  • Published openly: member counts, directory sizes and market data — on the Investor Hub, the press room and market statistics. Revenue, funding and transaction volumes are not published.
  • Everything here is checkable: external figures cite the body and year that published them, and platform figures come from the same live sources the press room uses.

Direct: investors@gigxchange.app

Important: this page is published for information only. It is not an offer of securities, an invitation or inducement to engage in investment activity (section 21, Financial Services and Markets Act 2000), or financial advice. Eclipse Labs AI Ltd is not authorised or regulated by the Financial Conduct Authority. Investing in early-stage companies puts your capital at risk.

Naumaan
Founder & Builder

I'm building GigXchange because the UK live music scene deserves better tools. Sign up, try it, break it, tell me what's missing — your feedback shapes everything we build next.

Did you know? The UK is one of the world’s largest music markets, behind only the US and Japan.
Email me directly →