Grass-roots gigs in Glasgow are intimate by design: most rooms cap below 200, the band is close to the floor, and the support acts often deserve as much attention as the headliner. Arrive within thirty minutes of doors to catch the openers and pick your spot.
Entry hasn't been published - bring £5-£15 to be safe, or check the venue's socials for advance tickets.
Travelling? The map shows exactly where King Tuts Wah Wah Hut is, and the Glasgow live music hub has what else is on around the same night.
Booking or playing in Glasgow? The GX Index publishes what UK gigs actually
pay, by city, band size and venue type, and the GX Index reports set out the methodology and the sample behind
every figure. Both are free to read and free to cite.
Baby Dave live at King Tuts Wah Wah Hut, Glasgow on Friday, 16 October 2026.
Listing not yet verifiedWe sourced this from a publicly published event — double-check with the venue before turning up.
The Details
Everything you need before the gig
DateFriday, 16 October 2026
Doors19:30
EntryTBA
AgesAll ages
Where
King Tuts Wah Wah HutAnderston/City/Yorkhill Glasgow G2 5RL
About this venue
King Tuts Wah Wah Hut hosts grass-roots gigs in Glasgow. Capacity, age policy and door fee vary per night — check the details panel above. Find King Tuts Wah Wah Hut online
Highlights
Entry TBA
No specs listed
Indie RockAlternative RockPop
Spotted something wrong with this listing? Closed, moved night, different start time? Let us know and we'll re-verify within 48 hours.
Baby Dave are playing King Tuts Wah Wah Hut in Glasgow on Friday, 16 October 2026. Doors open at 19:30. Expect Indie Rock / Alternative Rock / Pop. This listing is part of the Glasgow grass-roots gig directory — browse more upcoming Glasgow gigs there.
VenueKing Tuts Wah Wah Hut, Glasgow
The Artist — Baby Dave
Baby Dave headlines this Glasgow gig on Friday, 16 October 2026. Listening before the night helps you decide if the bill matches your taste — expect Indie Rock / Alternative Rock / Pop across the set.
King Tuts Wah Wah Hut is one of Glasgow's grass-roots venues on GigXchange — the kind of small-capacity room where you can stand close to the band and the bill changes every week. Capacity, age policy and door fee vary per night, so always cross-check with the gig details panel or the venue's own page closer to the date.
Grass-roots gigs in Glasgow are intimate by design: most rooms cap below 200, the band is on stage close to the floor, and the support acts often deserve as much attention as the headliner. Arrive within thirty minutes of doors to catch the openers and pick a sightline you're happy with.
Entry hasn't been published — bring £5–£15 cash to be safe, or check the venue's social channels for advance ticketing.
Travelling? Check the map below for the exact location of King Tuts Wah Wah Hut, or jump to the Glasgow live music hub for what else is on around the same time.
What do gigs like this pay? Check live UK gig rates by role, city, and venue size — built from real booking data across the industry.
Booking or playing in Glasgow? The GX Index publishes what UK gigs actually
pay, by city, band size and venue type, and the GX Index reports set out the methodology and the sample behind
every figure. Both are free to read and free to cite.
A UK gig at an independent venue — typically capped under 600 capacity — by an artist who isn't on a major-label arena tour. In: pubs, basement bars, indie clubs, community halls, arts centres, and small folk / jazz / punk festivals. Out: arenas, stadiums, the O2 chain, Royal Albert Hall, Symphony Hall, the Barbican, premium dining-cabaret rooms (Jazz Cafe, KOKO, Boisdale), and mega-festival sites (Reading, Leeds, Glastonbury, BST Hyde Park).
Listings are compiled from public ticketing-platform APIs and direct submissions by promoters, venues and artists. Each carries a verification badge — verified means we've confirmed it independently; unverified means we sourced it from a publicly published event. For UK grassroots-venue context see the Music Venue Trust, PRS for Music and Help Musicians UK.
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