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GigXchange vs Encore Musicians vs Alive Network: Honest Comparison

If you’re looking to book live music in the UK — or you’re an artist trying to get booked — you’ve probably come across a few platforms. Encore Musicians, Alive Network, and now GigXchange are all in the space, but they work very differently.

This isn’t a marketing piece designed to trash the competition. I’ve been on the UK circuit since 2009 and I’ve seen what works and what doesn’t. Here’s an honest breakdown of how these platforms compare.

The Agency Model: Alive Network

Alive Network is a traditional entertainment agency that’s been around since 2001. They operate as a middleman — you tell them what you want, they suggest acts from their roster, and they handle the booking. They primarily serve the weddings and corporate events market.

How it works for venues/bookers:

How it works for artists:

Best for: Bookers who want a fully managed service for weddings and corporate events. Not ideal for grassroots venues or independent artists who want control over their bookings.

The Marketplace Model: Encore Musicians

Encore Musicians is a marketplace where clients can browse and book acts directly. It’s more modern than the agency model and gives artists more visibility, but it still operates as an intermediary.

How it works for venues/bookers:

How it works for artists:

Best for: Established acts with professional media who want a steady stream of enquiries. The commission model means it’s less accessible for lower-fee artists where margins are already tight.

The Peer-to-Peer Model: GigXchange

GigXchange is a peer-to-peer marketplace. There’s no middleman deciding who gets booked. Artists and venues connect directly, negotiate their own terms, and handle bookings through the platform’s infrastructure.

How it works for venues/bookers:

How it works for artists:

Best for: Independent artists and grassroots venues who want control over their bookings. Also works for booking agents who want to manage their roster on a platform without losing margin to a second layer of commission.

Side-by-Side Comparison

Feature GigXchange Encore Alive Network
Artist commission0%15–20%20–35%
Artist sets own priceYesPartiallyNo
Direct messagingYesVia platformVia agent
Digital contractsAuto-generatedNoManual
Gig posting (venue posts, artists apply)YesNoNo
Booking agent supportFirst-classNoAgency is the agent
Market focusAll live musicEvents/weddingsWeddings/corporate
Secure paymentsStripe ConnectYesYes

The Real Difference: Who Controls the Booking?

The fundamental difference between these platforms is control.

With Alive Network, the agency controls who gets booked, at what price, and on what terms. With Encore, artists have more visibility but still pay a significant cut and don’t have full control over the process. With GigXchange, artists and venues deal directly — the platform provides the tools (search, contracts, payments, messaging) but doesn’t insert itself into the middle of the transaction.

The best platform is the one that gets out of the way and lets talent meet opportunity directly.

Which Should You Choose?

If you’re booking for a wedding or corporate event and want someone to handle everything, Alive Network or Encore are solid choices. You’re paying a premium for a managed service, and that’s fine if the budget supports it.

If you’re a venue owner booking regular live music, you want control. You want to choose who plays, negotiate directly, and build relationships with artists who know your room. That’s what GigXchange is built for.

If you’re an artist, the question is simple: do you want to keep 100% of your fee and control your own bookings? Or are you willing to give up 15–35% for the convenience of having someone else handle the admin?


There’s room for all three models in the UK live music scene. The important thing is that artists and venues have options. The gatekept, word-of-mouth-only era is ending — and that’s good for everyone.

Want to see how GigXchange works? Check it out here.

Naumaan
Naumaan — Founder & Builder
Tenured musician on the UK circuit since 2009. Built GigXchange to democratise the live music industry.

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